year 2011 archives
Bright sunny days. Temperatures in the mid 70s perfect for long walks. Cucumbers, peppers and squash awaiting harvest in the garden. This is my favorite time of year, yellow and orange with a hint of winter in the air. Summer was filled with boys learning to shoot pellet guns, riding ATVs, swimming pools and fireworks. My oldest grandson, Dmitri, had his first lesson driving a car. It’s been a blessing watching everything grow, including Lucy, the grasshopper-batting cat. The unfinished manuscript sits, three chapters short of The End while I juice elderberries, can tomatoes and prepare flyers for our upcoming event, A Ghostly Affair. So quickly the summer passes. I am blessed. I am loved, and as friend John says, life is good.
Is your local library haunted? Does a ghost lurk in the shadows of your elementary school? If so, we want to hear from you. The Other Bunch Press is seeking ghost stories for its new anthology, Hauntings From the Snake River Plain.
All submissions must deal with hauntings or ghost stories that take or took place in Idaho. The book will be released in the fall of 2012.
For more information go to http://otherbunch.wordpress.com/hauntings-from-the-snake-river-plain/
We hope to hear from you!
I try to visit my son in Oregon once or twice a year. This year my visit coincided with a reading by the wonderful Lidia Yuknavitch. If you haven’t already read her book, The Chronology of Water, you can pick up a copy here.
Thanks, Lidia, for a wonderful reading.
I’m pleased to announce that you can now find Voices from the Snake River Plain, at the Herrett Center Store on the College of Southern Idaho campus. Stop by and check it out!
If you know anything about me, you know that Alice Hoffman is one on my favorite authors. Now, before you turn your nose and dismiss me like a clerk in a bookstore did recently, let me tell you why.
I stumbled across Hoffman’s books years ago at a writer’s conference. Hoffman wasn’t there, and she wasn’t well known among the audience of genre writers. But an author whose work I admired commented on Hoffman’s books, and when I got home, I looked up Hoffman. I went to the library and read about her in the journals of literary criticism. I read all her published novels. Then I read them again. I took out pen and paper and rewrote some of her paragraphs to get a sense of her rhythm, voice, and style.
When I tried to tell my son the English professor why I liked Hoffman’s work, I could only falter and say, “When I read her books I feel like she is sitting across the kitchen table from me, and that we are drinking coffee and telling each other our truest secrets.” Not that her work was brilliant or sent me to the dictionary, or even avant-garde. Not that her writing was political, or historical or made me want to move to New York City or Massachusetts. But that her writing made me deal with my emotions, and do it honestly.
Wow. I wish someone would say that about my work.
This observation comes today because I just finished Hoffman’s latest novel, The Red Garden. Now, I have read every book Hoffman has published including the books for young adults, and at first this book didn’t speak to me. It is not a novel, but a collection of short stories that act as a novel. And if you read them fast, you miss the message each story contains. There isn’t much of a plot. Some of the characters lack motivation. But if you read them slowly and listen to the voice of the author and try to keep in mind the connection of the characters, you get to the underlying gist of the stories, an eerie sort of longing and contemplation about life and death. A Tree of Life that bears Look-No-Further fruit. I can usually finish a Hoffman book in one sitting. With this book, I had to slow down and let the simple, common, haunting words hit their mark. After reading “The Principles of Devotion,” I had to set the book aside for the rest of the day. It is one of the shorter stories in the book, but did it ever punch me in the gut. A dying sister, a loyal dog, small and unfulfilled wishes. Wow. I was so paralyzed by her words I had to stop reading.
This is not meant as a review of the book. I do not believe in critics’ reviews because each reader brings something different to a book or to a movie. Who’s to say which interpretation or experience is the better? What I’m trying to convey is how this author evoked my emotions. Did the book make me laugh? Yes, a couple of times. Did the book make me cry? Yes, once. Did the book make me feel? Absolutely, all the way to the end.
The same thing happens when I listen to the music of country and pop artist Taylor Swift. If I were fifteen and falling in love for the first time, I might be drawn to Taylor because she has spunk, energy, and charisma. But I’m nearer sixty and I’ll tell you what draws me to Taylor — her talent and ability to tell stories honestly.
I was first drawn to Taylor because I was writing about my 16-year-old protagonist Abbie Buchanan and wanted to capture the raw emotion of a teenager. When I would write about Abbie, I would put on Swift’s music from Fearless and let Abbie’s emotions bubble. In my Hoffman tradition, once I discovered Taylor, I devoured everything she released. For Christmas, I asked for and received her first album, Taylor Swift. I was expecting a so-so album since it contained songs Taylor wrote in her early teens. But these songs are as powerful as those in Speak Now and Fearless. I love Taylor’s songs and find myself waking up with them in my head. Like Hoffman, the stories Taylor tells stir my emotions. They make me remember I’m human, the elements of life–the breathing, the loving, the hating, the messing up, the forgiving and accepting.
And then there is me, inspired by these talented artists who dare to tell it like it is without any apologies, who inspire me to face each new day with enthusiasm and deepened insight.
To that I say, Wow. Absolutely, Wow. And a very gracious Thank You.