Oregon has so many talented writers. Take for instance Jamie Duclos-Yourdon. Jamie, a freelance editor and technical expert, received his MFA in Creative Writing from the University of Arizona. His short fiction has appeared in the Alaska Quarterly Review, Underneath the Juniper Tree, and Chicago Literati, and he has contributed essays and interviews to Booktrib. Froelich’s Ladder (Forest Avenue, August 2016) is his debut novel. He lives in Portland, Oregon. Here are some things you may not know about Jamie.
When I was a kid, my mom said to squeeze her hand if I ever saw anything unusual. She hoped to prevent an embarrassing observation (we lived in New York, after all; everything was unusual), but I spent my time scanning my surroundings—and if I couldn’t spot the obviously unusual thing, I’d identify the smallest discrepancy.
2) What is your writing routine?
I wake up at 4:30 every day and write for an hour. I usually manage 300+ words, which is slightly more than a page. It doesn’t feel like much, but if you keep at it every day—seven days a week, with no exceptions—the material builds up pretty quickly.
3) How many drafts before you feel the book is finished?
Oh, gosh … I probably go through four or five drafts before I’m ready to share a manuscript with a publisher or an agent, and those drafts have already been vetted by my writing group. If a publisher or agent is interested, then I’ll undertake another two or three drafts. The story is always evolving (and, hopefully, improving).
4) What was the best thing that happened with regard to your writing career?
Having my first five books rejected. Through Book #6, I was still doing my best Nick Hornsby impression—which isn’t necessarily a knock on Nick Hornsby. It took me a long time to recognize my own voice and even longer to trust it.
5) What part of your job do you love the most?
I love Q&As with an audience. Even if I’ve heard a question before—and more often than not I haven’t—the context is always different, the underlying assumption is different, my mood is different, everything is different. I learn something new every time.
6) What do you like to read? Do you read while working on a novel?
I’m always reading, whether or not I’m working on new material. I mostly stick to fiction, with a few news sources to keep me informed. I’m really picky, in terms of the former (and the latter, I suppose), and I don’t like to reread novels or short stories; additionally, I don’t feel guilty putting down a book after 50 pages. So my reading process is like no, no, no, no, no, YES, no, YES, YES, no, no, no …
7) What was the best advice you received as a writer?
A professor of mine once said, “Learn what you write and when you write.” If you write flash fiction, cool, write flash fiction. If you write 150,000-word novels, then do that instead. Don’t try to be something you’re not. Same goes for whatever time of day suits your creative process: find it and stick to it.
8) Who has influenced you the most in terms of developing your personal writing style?
I took a fiction workshop with Aurelie Sheehan when I was twenty-four. She read one of my short stories and said, “Oh, you write about responsibility!” That observation had a profound effect on my writing.
9) Do you have a good luck charm or superstition?
I’ve had a storyteller on my desk since 2001—a ceramic figurine of a Pueblo Indian, mid-story, surrounded by her children. I’ll be devastated when I eventually, inevitably drop and break her.
10) If you weren’t a writer, what would you be?
I have absolutely no idea. Drunk?
11) What quote or personal saying do you live by?
Samuel Beckett said it best: Try again. Fail again. Fail better.
12) What’s next up for you, writing-wise?
I’m currently at work on my tenth novel, a Mesopotamian ghost story about death and grieving and talking crows and ancient Sumer.
13) If you could do anything over again, would you and what would it be?
In January of 2002, an agent at ICM expressed interest in my first novel. I thought, “Yay, this is it! The big time!” and spent the next six months sitting on my ass. I’d love to get that time back.
14) What advice would you give beginning writers?
Read everything. Write constantly. Be on the lookout for a mentor. Don’t assume debt for an MFA. Find community and earn your inclusion. Success isn’t zero-sum. Listen to what your readers have to say. There’s nothing wrong with adverbs. Writers make boring protagonists. Know what your characters want and what prevents them from getting it. Study screenwriting to learn three-act structure. What seems natural and obvious to you is completely foreign to the rest of the world. You are a writer. You are a writer. You are a writer.
15) Something we don’t know about you?
I’ll be the Keynote Speaker at the 2017 South Coast Writers Conference February 17–18.
And: what’d you like us to know about your latest release:
Froelich nurses a decades-old family grudge from his permanent perch atop a giant ladder in this nineteenth century madcap adventure novel, Froelich’s Ladder. When he disappears suddenly, his nephew embarks on a rain-soaked adventure across the Pacific Northwest landscape to find him, accompanied by an ornery girl with a most unfortunate name. In their encounters with Confederate assassins, European expatriates, and a general store magnate, this fairytale twist on the American dream explores the conflicts between loyalty and ambition and our need for human connection, even at the highest rungs.
If you’re still scrambling to find the perfect Christmas present, consider Jamie’s new book from Forest Avenue Press.
For more than thirty years my vacation destination was the Oregon Coast. Leaving behind stressful jobs and busy schedules, my husband and I drove to the coast, almost every year, usually in late September or early October. We’d rent a vacation home overlooking the ocean and do nothing. Well, not really nothing. He’d golf and I’d either write or read. We’d take long walks on the beach, or just sit back and watch the sun set. We loved the quiet easy-going pace we found here and a chance to unwind and recharge before heading back to the real world in Idaho.
If you know anything about the Oregon Coast, you know there is always something happening here, either in Lincoln City or all the way down the coast to Florence. Even after all those trips, we never had time to do everything we wanted to do. Often we would leave saying next time I’m going to ….
One of the things I always wanted to do was attend one of the writer’s events back when they were still held in Yachats. But I could never fit it into our schedule.
When we moved to Oregon, one of the first things I did was attend a Writers on the Edge event at Nye Beach. It wasn’t long before I joined the board and became more involved in the organization.
A strong writing community is one of the reasons I moved to Newport. After thirty years, I still feel like I’m seeing the ocean for the first time. And every day I spend here, I learn to love Oregon more.
For our final event, Writers on the Edge will host Johnny Bargain on June 18 at 7 p.m. at the Visual Arts Center on Nye Beach. If you’re in the area, please stop by and help us celebrate a wonderful organization. And just in case you are interested, here are some things you may not know about our next author, Johnny Bargain.
11 things you may not know about JOHNNY BARGAIN
1) Why did you become a Writer? How did you get started?
The stories from my past were circling in my head. I’d wanted to write a letter to my friend’s 18-year-old son who had been gunned down in the 1960s by the police as he rode his Harley Sportster in Rosebank, Staten Island. Three bullet holes punctured the boy’s back, for no good reason at all. I wanted Stitch to know he had not been forgotten even though 50 years have gone by. The memories weighed heavily and I couldn’t shake them.
Over time, I mentioned some of the incidents to Carla Perry, publisher at Dancing Moon Press and she suggested that I record them on a tape recorder since I didn’t have the patience, eyesight, or ability to write them out on paper and I don’t have a computer. She said the stories were tragic, appalling, poignant, eye opening, and funny, and that they provided a glimpse into the world of motorcycle clubs and gangs that was unlike anything she’d encountered before.
So I headed down to California for a three-day biker party and by day ten, I’d managed to record several stories. Carla transcribed the recordings when I returned, but she said more stories were needed to flesh out a full book. When I said I couldn’t remember more, she suggested I create a map of my Rosebank neighborhood — the bars, Dapper Dan’s motorcycle shop, the houses where I lived, the police station, the location of the murders, the location of infamous parties, the cemetery where Stitch was buried, and the various motorcycle club headquarters. Each time I drew a building or marked an X on the map, stories flooded out, clear as the day they’d happened. So, I headed south again for another biker party and came home with plenty of material.
2) What is your writing routine? How do you discipline yourself to keep at it?
I clear the space in my head by inhaling sweet weed, think of an incident from my past, turn on the tape recorder, and start talking.
3) How many drafts before you feel the book is finished?
Carla Perry prepared three drafts for me. The first was to make sure the information was correctly transcribed and that I was okay with the short story titles. The second was to put the stories in order and correct name spellings. The third was the final draft. The cover designer, Sarah Gayle, also drew cartoonish maps to illustrate the locations where the stories took place, so those are interspersed throughout the book.
4) What was the best thing that happened with regard to your writing career? The worst?
The best thing was getting the stories out of my head so I don’t have to remember them anymore. I feel a sense of freedom knowing I’ve done what I hoped to do – reconnect with Stitch by writing this book dedicated to him. The worst thing is there are still more stories I’d like to get down on paper. Maybe there will be a volume 2.
5) What part of your job do you love the most? Hate or dislike the most?
I can’t write longhand anymore because my eyesight is not so good and I will never use a computer, so talking into the tape recorder worked great for me. Telling stories from my past is not a job. It’s something I’m compelled to do to make peace with my early life.
6) What was the best advice you received as a writer? The worst?
The best advice was when Carla Perry suggested I draw a map of my neighborhood. That was amazing. Every street corner, every bar and tavern, the cafes, the movie theater, the houses my friends lived in, every building, park, church, and school contained vivid stories from my life in Rosebank, Staten Island. It was like taping into full-color movies of what went on in the 1960s. I could remember conversations, the sounds, the smells. It was all there, hidden away in my memory.
7) Who has influenced you the most in terms of developing your personal writing style?
I just speak it out so my writing style is just the same way I talk. Except it’s a little more cleaned up through the editing process.
8) If you weren’t a writer, what would you be?
I’m a retired building engineer. I’m an artist of three-dimensional representations that hang from the ceilings and walls. I’m already 80 years old. I never planned to become a published author.
9) What quote or personal saying do you live by?
“If I don’t see you real soon, I’ll see you down the road someday.” (lyrics from “Car Outside” © Jimmy LaFave.)
“I’m surprised you’re alive.” – Fred, a member of Johnny’s Yoga class.
10) What’s next up for you, writing-wise?
Maybe more stories. Volume 2 of “A Collection of Bummer Summers.”
11) What would you like us to know about your latest release?
The absolutely true stories of my life are in that book.
I’m happy to announce that Waiting will be part of an ebook boxed set with two other great books, Goddess of Suburbia, by Stephanie Kepke and The Paris Effect, by K.S.R Burns. Thank you to our wonderful publisher Booktrope for this opportunity, and to Michelle Fairbanks for the fantastic cover.
Here’s the scoop on this exciting new project:
The Perfectly Imperfect boxed book set consists of three novels about strong women in transition.
Suburbia meets scandal in Stephanie Kepke’s Goddess of Suburbia, a hopeful and honest portrayal of that moment in every woman’s life when it’s time to make a change, even if that means risking losing it all. When pillar of the community and PTA mom, Max, finds herself embroiled in an Internet scandal, she must learn to stop living her life on auto-pilot or forever remain a suburban lemming running toward the cliff of old age. This story is a must-read for women looking to reconnect with their passions and live authentically.
In Bonnie Dodge’s Waiting, three generations of Foster women, senior citizen Maxine, attention-seeker Grace, and aspiring artist Abbie, think they are nothing alike. But they all share a secret. They wait. For love, for attention, for life, for death. In their journeys between despair and happiness, they learn there are worse things than being alone. Like waiting for the wrong person’s love. With sensitivity and humor, Waiting carries readers into the hearts of three women who learn that happiness comes from within.
In K. S. R. Burns’s highly praised debut novel, The Paris Effect, a food-obsessed young woman sneaks away to Paris without telling anyone. Not even her husband. Once there, she’s robbed, stalked, arrested, and kidnapped (almost). Worse, she finds that her numerous issues have come right along with her. Grab a croissant and settle in for a decidedly non-touristy trip to the City of Light.
An amazing deal for three terrific stories in one ebook. For updates on our release date, launch parties, and more, like the Perfectly Imperfect Facebook page. Be sure to check the page often.
Launch Date: 12/02/2014
Available: Amazon Kindle Only
Promotional Pricing: Free 12/02/2014 to 12/05/2014 Pricing: $1.99 (after 12/05/2014)
A Cup of Christmas is a lovely mixture of award winning authors. My story, “Home in Time for Christmas” is a story about Cassie and Jim Mink from my Fairfield, Idaho, collection. Cassie wants to return to Seattle to spend Christmas with her widowed mother while Jim wants his family to experience their first Christmas in Idaho. Other stories include Christmases remembered through the years and family traditions. Just how did Daddy shoot the Christmas tree? Romance, an urban fantasy, a mysterious ethereal boy, an elderly man with a new lease on life, a dog wedding, Santa in love, a Texas beauty pageant, Rich’s Department Store remembered, a Vietnam Christmas, and a fairy tale about wanting your heart’s desire . . . the list goes on.
All proceeds from the sale of A Cup of Christmas will be donated to the children’s literacy charity, First Book. First Book addresses one of the fundamentals affecting literacy with children – access to books. To date, they have distributed over 120 million new books to children in both the United States and Canada. (www.firstbook.com)
Contributing authors to A Cup of Christmas include: Kimberly Brock, Jackie Bouchard, Karen E. Martin, R. Leonia Shea, Jane-Ann Heitmueller, Renea Winchester, Audrey Frank, Tori Bailey, Cynthia Graubart, Morgen Bailey, DJ Thomason, Beth Crews Rommel, Jackie Rod, Georgia Lee, Rosemary Dixon, Jamie Salisbury, Kerry Alan Denney, Lane Sebesta, Ramsay Brown, Doug Dahlgren, Penny White, Amie Ray Davis, Bonnie Dodge, Michael W. Paul, Deborah Myers Lewis, Tara Joyner Haussler, Rena Blain, Helen Ross, Howard Johnson, Karen Brown and Barbara Barth.
DON’T MISS OUT. MARK YOUR CALENDARS TO GRAB YOUR FREE COPY NOW!
Today we stopped by Morningside Elementary in Twin Falls and presented the Principal, Steven Hoy, a copy of our book, Billie Neville Takes a Leap. Billie attended Morningside in 1974, the year Evel Knievel attempted to jump the Snake River Canyon. Thank you, Morningside Elementary for letting us wander your halls. You have a great school.