Welcome Spring

Instead of yard work or doing my taxes, I’m reading Pam Houston‘s “Contents May Have Shifted” and feeling only a weensiest bit guilty.

I’m not in the mood to write

I’d be more productive if I always felt like writing. This is ironic because before I wrote fulltime, I was always in the mood to write. Storylines popped into my head while I waited on customers. Characters evolved as I placed potatoes and marshmallows in my shopping cart. But now that writing is my day job, I find that I’m rarely in the mood to sit down and write.

What happened? Just because I changed careers it’s suddenly okay to stop working because I’m not in the mood?  What lame excuse is that? I was a bank officer for many years and not once did I call my boss and say, “I’m not in the mood to come to work today.”

Writing is my job, not my hobby, and books don’t write themselves, even though many days I wish they would. So I’ve found a way to write when I don’t feel like working. Maybe some of these tricks will help you write when you’re not in the mood.

1. Listen to music. Days when writing words is like pulling weeds, I turn on Dr. Jeffrey Thompson’s Creative Mind System and place my fingers on the keyboard. Within ten minutes I’ve forgotten that I’m not in the mood to write, and soon my fingers are flying across the keyboard.

2. If I’m having a really uncreative day, I light a candle—something light and airy to help me relax and put me in a more creative mood.

3. I allow my self ONE game of spider solitaire, and then I start writing. I cannot play another game of solitaire UNTIL I have met my word count for the day.

4. When I go to bed at night, I decide what I will work on the next day. I’ll know what distractions I have to attend to (doctor appointments, etc.) and plan accordingly. Then, when I get up the next morning I know what I have to accomplish that day.

5. I try to exercise regularly. I feel better when I’m exercising, and handle stress better when I feel good, which makes writing easier on days I don’t want to write.

6. I schedule my writing time. Generally, I can squeeze out one thousand words in an hour if I allow myself no distractions. If I set myself a goal of three thousand words, I know I must schedule three hours of writing time to meet that goal. Writing time, not computer time, and then I write until I’ve met my word count.

7. I work on more projects than one at a time, and often I feel overwhelmed, which puts me in a lousy mood. To combat this, I’ve started making daily and weekly to-do lists. The story due by the end of the week is listed as number one. The article or essay I want to write before the end of the month is listed as number two. The novel that I’m working on is number three. I give myself assignments. The urgent work gets priority, which makes it easier to meet deadlines.

8. I try to write every day. If I miss a day, I find it’s harder to get back into my story.  Writing is like playing the piano. My work is better when I practice, and often I find that the mere act of writing puts me in a more creative mood.

9. If I get stalled at the beginning of a story, I work on a different scene, anything to get my fingers moving. Author and screenwriter Robert McKee advises to write from the inside out. I don’t always have to start at the beginning. I can start in the middle, or even at the end.

10. I try to eliminate distractions like the Internet, radio and TV. My mind works better when it isn’t cluttered with a bunch of mindless noise.

11. I remind myself that I’m a professional. Professionals work no matter what their mood. And then I remind myself how lucky I am to be able to do what I love.

What do you do to get into the mood to write?

The End

 

 

 

 

 

 

 

I’ve just finished writing the ending paragraph to my latest novel. My head is numb; my butt is numb and for a moment I’m elated. It feels SO GOOD to reach the end of this journey. I call a friend to celebrate because she knows how exhilarating it is to write The End. But the minute I hang up the phone my emotions plunge back to reality. This is just the first draft. The nuts and blots of the story are in place. Maybe. Now comes the arduous task of editing and revising.
Some of my writer friends can whip out a book in six months, some even three. But this book has been percolating for several years. I have a file folder three inches thick of scenes I’ve deleted, or research I want to include, or should I say wanted to include as the story morphed to an end. My characters names have changed; I’ve honed their actions and reactions. I know them better than I know my siblings. But still, this book really isn’t finished.
Thus is the task of a writer. Formulating an idea strong enough to carry a book, writing more than 100,000 words. Writing, rewriting and rewriting. I’m not complaining. I love my job. I am so grateful to have friends and family who support my writing and me. I can’t think of a better way to end this year by typing THE END, knowing 2012 is just around the corner, and that this is really just the beginning. Thank you all so much for your support. You have no idea how much you mean to me as I hole away to write my stories.

May Santa bring you everything you want, especially a prosperous New Year.

Tomatoes, Peppers and Ghosts

Bright sunny days. Temperatures in the mid 70s perfect for long walks. Cucumbers, peppers and squash awaiting harvest in the garden. This is my favorite time of year, yellow and orange with a hint of winter in the air. Summer was filled with boys learning to shoot pellet guns, riding ATVs, swimming pools and fireworks. My oldest grandson, Dmitri, had his first lesson driving a car. It’s been a blessing watching everything grow, including Lucy, the grasshopper-batting cat. The unfinished manuscript sits, three chapters short of The End while I juice elderberries, can tomatoes and prepare flyers for our upcoming event, A Ghostly Affair. So quickly the summer passes. I am blessed. I am loved, and as friend John says, life is good.

Lucy

The Writers’ Block and Me

Please join Amanda Turner, host and producer of The Writers’ Block and me as we discuss my books and writing this Thursday, March 10 at 1 p. m. MT. Listen live at www.RadioBoise.org. If you miss the broadcast, you can listen to it here.

Another place to buy Voices from the Snake River Plain

I’m pleased to announce that you can now find Voices from the Snake River Plain, at the Herrett Center Store on the College of Southern Idaho campus. Stop by and check it out!

Alice Hoffman, Taylor Swift and Me

If you know anything about me, you know that Alice Hoffman is one on my favorite authors. Now, before you turn your nose and dismiss me like a clerk in a bookstore did recently, let me tell you why.

I stumbled across Hoffman’s books years ago at a writer’s conference. Hoffman wasn’t there, and she wasn’t well known among the audience of genre writers. But an author whose work I admired commented on Hoffman’s books, and when I got home, I looked up Hoffman. I went to the library and read about her in the journals of literary criticism. I read all her published novels. Then I read them again. I took out pen and paper and rewrote some of her paragraphs to get a sense of her rhythm, voice, and style.

When I tried to tell my son the English professor why I liked Hoffman’s work, I could only falter and say, “When I read her books I feel like she is sitting across the kitchen table from me, and that we are drinking coffee and telling each other our truest secrets.” Not that her work was brilliant or sent me to the dictionary, or even avant-garde. Not that her writing was political, or historical or made me want to move to New York City or Massachusetts. But that her writing made me deal with my emotions, and do it honestly.

Wow. I wish someone would say that about my work.

This observation comes today because I just finished Hoffman’s latest novel, The Red Garden. Now, I have read every book Hoffman has published including the books for young adults, and at first this book didn’t speak to me. It is not a novel, but a collection of short stories that act as a novel. And if you read them fast, you miss the message each story contains. There isn’t much of a plot. Some of the characters lack motivation. But if you read them slowly and listen to the voice of the author and try to keep in mind the connection of the characters, you get to the underlying gist of the stories, an eerie sort of longing and contemplation about life and death. A Tree of Life that bears Look-No-Further fruit. I can usually finish a Hoffman book in one sitting. With this book, I had to slow down and let the simple, common, haunting words hit their mark. After reading “The Principles of Devotion,” I had to set the book aside for the rest of the day. It is one of the shorter stories in the book, but did it ever punch me in the gut. A dying sister, a loyal dog, small and unfulfilled wishes. Wow. I was so paralyzed by her words I had to stop reading.

This is not meant as a review of the book. I do not believe in critics’ reviews because each reader brings something different to a book or to a movie. Who’s to say which interpretation or experience is the better? What I’m trying to convey is how this author evoked my emotions. Did the book make me laugh? Yes, a couple of times. Did the book make me cry? Yes, once. Did the book make me feel? Absolutely, all the way to the end.

The same thing happens when I listen to the music of country and pop artist Taylor Swift. If I were fifteen and falling in love for the first time, I might be drawn to Taylor because she has spunk, energy, and charisma. But I’m nearer sixty and I’ll tell you what draws me to Taylor — her talent and ability to tell stories honestly.

I was first drawn to Taylor because I was writing about my 16-year-old protagonist Abbie Buchanan and wanted to capture the raw emotion of a teenager. When I would write about Abbie, I would put on Swift’s music from Fearless and let Abbie’s emotions bubble. In my Hoffman tradition, once I discovered Taylor, I devoured everything she released. For Christmas, I asked for and received her first album, Taylor Swift. I was expecting a so-so album since it contained songs Taylor wrote in her early teens. But these songs are as powerful as those in Speak Now and Fearless. I love Taylor’s songs and find myself waking up with them in my head. Like Hoffman, the stories Taylor tells stir my emotions. They make me remember I’m human, the elements of life–the breathing, the loving, the hating, the messing up, the forgiving and accepting.

And then there is me, inspired by these talented artists who dare to tell it like it is without any apologies, who inspire me to face each new day with enthusiasm and deepened insight.

To that I say, Wow. Absolutely, Wow. And a very gracious Thank You.

Idaho Authors’ Holiday Book Fair

I’ll be joining writers Patricia Santos Marcantonio, Dixie Thomas Reale, Jennifer DeNaughel, Betty Hare, Cliff Johnson, Niels S. Nokkentved, Jack Goodman, and Merri Halma at a holiday book fair December 11, 2010, 1 p.m. to 4 p.m. at Zulu Bagels & Java Jungle, 1986 Addison Avenue East, Twin Falls, Idaho. Stop by, say hello, and support these local authors. Our books will make great stocking stuffers.

So, What Have You Published?

Tell people you’re a writer, and the first thing they ask is, “What have you published?” There are lots of ways to answer this question, but I really like award-winning author and blogger John Shore’s observations on the book publishing industry. Check out his recent Huffington Post blog, “Why You Want a Big Book Publisher to Reject Your Book.” Being a writer is not the same as being published and here are some of the reasons why.

2010 Idaho Writer’s League Writer of the Year Award

Success is counted sweetest
By those who ne’er succeed.
To comprehend a nectar
Requires sorest need.

-Emily Dickinson

Talk to any writer and they will tell you that their writing efforts often go unnoticed. For every book/article that is sold, there are a dozen more waiting to be discovered. Writers understand this. They know the road to publication, recognition, and fame is long and painful. That’s why you’ll often hear writers joke about sticking their head in an oven or opening a vein.

I read somewhere that a writer must write over a million words before they have mastered the craft well enough to be considered a serious writer. Contrary to what some believe, writers don’t just sit down at a keyboard and the words pour out in logical sentences. A writer-friend’s impatient husband often asks her when she is in her office hunched over her keyboard pondering just the right word, “What are you doing in there?”

Most of the time what “we are doing in there” is trying to make sense of the words, voices, and stories that pop randomly into our head. I once labored thirty-six hours over a scene, only to delete it with one keystroke the next week. Because, when it doesn’t work, it doesn’t work, and no amount of superfluous words will make it better.

But sometimes it does work. And when it does, it makes up for all those long, lonely, and frustrating hours at the keyboard.

That’s why, when I received the 2010 Writer of the Year award from the Idaho Writer’s League, I felt a tinge of satisfaction. Of all the Idaho Writer’s League members in Idaho, my work stood out.

I may not be a best-selling author like John Grisham or Nora Roberts. But I am a writer. And now I have an award to hang on my wall to prove it.

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